foxadhd:

Rain Bros

foxadhd:

Rain Bros

(Source: foxadhd.com)

I am here! I am standing right here in front of you. I am breathing. I am speaking. I am alive! I exist. DO YOU SEE ME?Shelly in Buried Child, by Sam Shepard (1978)
 

When I loved myself enough, I began leaving whatever wasn’t healthy. This meant people, jobs, my own beliefs and habits - anything that kept me small. My judgement called it disloyal. Now I see it as self-loving.

Kim McMillen (via auberginesheets)

(Source: yagazieemezi, via sleepyvee)

fashioninhistory:

Wedding Ensemble 
1878
While white is now de rigueur for bridal attire, the fashion for white wedding gowns originated only in the late 19th century and was not commonplace until the 20th century. This dress is a good example of the more practical 19th century practice of brides wearing colored gowns for weddings. The wedding dresses could then be worn again for other receptions and social events. A well-made and finely-detailed example of the period, this dress would have been described as a “cuirass” or “cuirass style” at the time it was made, a term that refers to the form-fitted bodice. A steel-boned corset helped to achieve the ideal figure for the cuirass style in the 1870s and 1880s.

fashioninhistory:

Wedding Ensemble

1878

While white is now de rigueur for bridal attire, the fashion for white wedding gowns originated only in the late 19th century and was not commonplace until the 20th century. This dress is a good example of the more practical 19th century practice of brides wearing colored gowns for weddings. The wedding dresses could then be worn again for other receptions and social events. A well-made and finely-detailed example of the period, this dress would have been described as a “cuirass” or “cuirass style” at the time it was made, a term that refers to the form-fitted bodice. A steel-boned corset helped to achieve the ideal figure for the cuirass style in the 1870s and 1880s.

(via blowfishatsea)

I don’t think love is always a huge, cataclysmal emotional event. I think sometimes it sits in front of you for a very long time until you glance over and say, oh, there you are. I don’t think it’s your saving grace. I think it’s the hand that you hold while you save yourself. I don’t think it’s someone who sweeps you off your feet. I think it’s someone who stays right beside you and lets you walk on your own. I don’t think it’s always a blazing but temporary insanity of racing hearts and hormones. I think that’s the love that changes us. The love that should stay with us is the calm, deep, thorough knowing that you want to be with someone despite logical objections. And what may be even more important than anything is that I think you find your own love at the very edges of where other people’s love pushes you.

red-lipstick:

Mariana Villanueva (Mexico) - Insomnia, 2013     Drawings: Pencils, Acrylics on Paper

red-lipstick:

Mariana Villanueva (Mexico) - Insomnia, 2013     Drawings: Pencils, Acrylics on Paper

(Source: fifty24mx.com, via generic-art)

I destroy myself so you can’t.

Six Word Story #1 (via paandra)

(Source: lost-explorations, via existentialismromance)